For the most part, I've grown tired of undead films. Although favorites such as 28 Days Later along with the initial episodes from The Walking Dead were enjoyable, the genre seems largely depleted at this point. Even the much-awaited 28 Years Later remains gathering dust in my watchlist for months. However, Netflix's latest Southeast Asian horror film, The Elixir, succeeded in subvert my expectations turning out quite entertaining.
Impressive Rhythm and Character Growth
Among the film's strongest assets lies in the superb rhythm. It begins using a memorable initial scene in which a peaceful family party is violently interrupted when a van crashes right into the guest area. From the wreckage, a very undead-looking individual stumbles out proceeding attacking the partygoers. This intense scene is then succeeded by a flashback, allowing us to observe this household before the disaster struck.
Unlike many undead movies, The Elixir actually allows viewers enough time to become acquainted with its main personalities prior to the carnage begins. We meet Nes, a wife and mother whose former close friend, Karina, has become married to Nes' father—a clearly awkward situation. This has understandably led to a falling out among the two women. We also see Nes' brother, Bang, described as kind-hearted but socially awkward, and who enjoys playing video games alongside his nephew, Raihan. Her spouse, Rudi, seems to have recently cheated on her. This household patriarch is her dad, the owner of a well-known herbal remedy company called Wani Waras, and he appears focused on only two aspects: his work and his marriage to Nes' ex-best friend. Unsurprisingly, this family reunion is extremely tense.
Engaged in the Conflict
I became so engrossed in the household's issues along with their interpersonal drama that I almost forgot this was a horror film—something that could sound like a negative, but in the end worked well. The Elixir spends a considerable amount of the film to showing us the identity of every family member is, and how they add to the overall turmoil. This focus on clashing traits allowed me to connect to the personalities sufficiently to care about their outcome—an uncommon accomplishment in a genre which frequently introduces individuals just to kill them off soon after. The Elixir avoids portraying its cast as flat, disposable victims for an army of zombies to devour, thus it's a genuine surprise once events finally deteriorate.
Evocative of Parasite
The initial sequences of the party and the multiple household exchanges actually bring to mind the movie Parasite, a story that masquerades like a Korean drama featuring somewhat morbid comedy before making an abrupt turn into shocking territory. These introductory scenes don't focus as much on humor as Parasite, but The Elixir nonetheless provides sufficient opportunity to settle into the setting before it gets upended.
Original Infection Origin
This movie also offers a fairly interesting explanation for the source of the spreading zombification. Instead of an accidental laboratory incident or a type of bioweapon, the source for this contagious disease originates in a new batch of Wani Waras herbal remedies developed by her dad. Although we do learn something regarding its origins, I wish the film devoted additional focus explaining how Wani Waras went from a trusted supplier of natural treatments to producing a deadly elixir that appears to contain an extremely infectious pathogen. Regardless of the limited context, the effect this affliction produces on people is absolutely disgusting, and I appreciate. The Elixir's undead prove fast, freaky-looking, and, maybe most disturbingly, always smiling. This is a bold decision, but it works. The Elixir's physical effects and computer graphics also appear quite convincing, and they're almost certain to trigger a fear of holes.
Capable Characters
Even better than the disgusting moments are the characters themselves. Certainly, there are some instances of questionable choices (like any any good undead film), but for the most part, Nes and her relatives show themselves resourceful and quick-thinking. Additionally, they aren't afraid to strike a zombie in the face, pierce it using a farm tool, or beat it over the head with the nearest blunt instrument is available instead of standing still like prey in headlights as death approaches.
Realistic Family Strike
The Elixir doesn't drop its themes on family conflict once individuals start turning into zombies, this proved a welcome authentic subversion from the "We don't get along|"We have issues, but you almost died I immediately forgive you for everything! trope frequently used in end-of-world films. It's clear, Nes cares for her relatives and cares about her husband, Rudi, but it's also apparent she remains clinging to resentment regarding his infidelity in their relationship. Once the household gets separated, they decide via telephone to meet up at a nearby location. But when Bang reveals he is unaware the way to the location, Nes expresses an immense level of irritation on her brother that's clearly been brewing over time. Nes isn't perfect, and her family—with all their imperfections—feel realistic and understandable because the film doesn't try to promote the notion that nearly dying immediately resolves familial strife. This makes those instances when these characters express appreciation for each other seem much more sincere.
Stereotypical Conclusion
Despite The Elixir's best attempts to innovate, the conclusion must be said to be a bit formulaic. The Elixir isn't really presenting any deep message about family or community, as well. Rather, it's primarily delivering frights. Yet these are successful scares, and since the movie gives each character sufficient space to grow and doesn't punish them for their imperfections, the outcome proves a captivating and enjoyable
